Rae Olivier

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When I was a little girl, I got lost in the magic of stories. I wanted to jump into them, be a part of them. As a grown woman, that love has become something deeper, as I’ve come to believe that stories truly have the power to change the world. For over 15 years, I have harnessed my craft in Atlanta, at NYU’s Tisch School of the Arts (Stella Adler Studio track) and in some of the best studios Los Angeles has to offer. My fire for storytelling has never burned out, and I hope I can help you tell yours.

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[Rae Olivier] owns every frame of this film! [It’s] a slow-churning descent into madness that sits squarely on the petite shoulders of [Rae Olivier]. Don’t be fooled. [Olivier] is like a caged animal in this breakout performance!”

-Ed Moy, The Examiner on House of Good and Evil

[Rae Olivier] is definitely a find, as she manages to be the streetwise ingenue. She’ll make you fall for her whether you like it or not. Hers is a character that could’ve easily gone off the rails by being too flighty or too over the top, but her restraint is the best case for this romantic tragedy and justification for her next shot at the big (or little) screen.”

- Billy Tatum, The Examiner on Transatlantic Coffee

[Writer] De Golyer has praised the ‘hunger in her eyes’ that studios dream of finding’… and I can totally see it. Going far deeper than just playing another woman with problems, [Rae Olivier] really gets over to us that [her character] is broken fundamentally but has become practiced in the art of hiding it.”

- Hall C F Astell, Apocalypse Later Film on House of Good and Evil